Clown Me In 2018 Tour Performance We Must Clown

Clown Tour 2018

Our Clown Tour for 2018 was a huge success, with 24 clowns reaching over 4,600 people through 25 performances in 10 days all over Lebanon. That’s a fancy way of saying that it was absolutely incredible!

Clown Me In 2018 Tour Performance We Must Clown

Photo from the last show by Diego Ibarra Sanchez

This tour usually comes after our We Must Clown workshop, a program aimed at giving free workshops to young people from different backgrounds and give them the opportunity to express themselves through clowning, then join the regulars of Clown Me In as part of the yearly tour.

All 24 clowns went on tour from October 24 to November 4, in Choueifat, Tannourine, Akkar, Tripoli, Barr Elias, Tyre, Saida, Aley, Deir El Qamar, suburbs of Beirut, and several areas around Lebanon (check the full schedule for location details). We performed in refugee camps, schools and public spaces, spreading happiness and laughter to kids and adults of all ages.

Since we’re all about getting new people involved, we were happy to have not only new clowns, but also a guest trainer, Stephen Sobal, from the All In Theatre in London. Sabine and Stephan worked together, supervising and training the clowns, building on improvised scenes – bit by bit – to create the performance and link the ideas together, based on themes that are important to the clowns that we wanted to share with the communities we would be visiting. Recycling, hygiene and the environment were the main topics we tackled. Language barriers didn’t stop anyone from laughing and having fun. Clowning is, after all, a universal language of its own.

“Laughter is important because people sometimes forget to be happy”
الضحك مهم لأنو الإنسان بينسى مرات يكون مبسوط”
Man from Deir el Ahmar after watching the show

Clown me in tour 2018 Lebanon Rachidiye Camp.jpg

The experience was in itself great for everyone involved and they came away having learned something new about themselves and others. This really showed through in the performances, where us clowns were challenged by audience interaction, having to listen and engage with them as well as helping, supporting and communicating with one another, all in the spirit of teamwork.

Everyday on tour was a road trip, with us together in 2 or 3 big cars, singing songs and playing Souk Oqqaz and improv games as we drove all over Lebanon. We even got stuck in mud on the way to some of the refugee camps that were sometimes difficult to reach. Good thing some clowns are professional (not really) off-road drivers, too. The fact that these places are sometimes so difficult to reach remind us that it’s really important to take the time to get there, because the kids are so excited to see us and so happy to watch the show. They also asked us over and over if we could come back more. Some kids we surveyed at the end said they’d want to see a clown show EVERY DAY if they could!

Clown me in tour 2018 North Lebanon.jpg

The excitement level from the kids never dropped, even in schools that get regular access to artistic and cultural events (Yes, we do have tools for measuring these things scientifically, in case you were wondering). The kids were always focused and immersed in the experience, even in the places we had already visited before on different tours.

Dahr El Moghr, in Tripoli, is a village built on a hill that can be reached by climbing a whooooole lot of stairs. Our visit wasn’t expected, so we started calling out for people to gather. The kids who saw us coming up the stairs were so excited that they were actually the ones who got everyone gathered in the square within ten minutes, filling up not only the square but also the roads all around it with people watching all around from their balconies! Some of the kids even remembered which of us clowns were there last time, down to the details of what we were wearing!

Clown me in tour 2018 Lebanon Achrafieh.jpg

It’s these moments that mean a lot to us, and that keep us doing what we do. Kids who remember you even if they’ve seen you only once before, who are receptive to stories and messages that you’re trying to communicate, and who are sad to see you go. A lot of them always ask when the clowns are coming back, and the feedback we receive when we ask what they think of the shows is (no joke) overwhelmingly positive. The only kid who was actually unhappy with something was upset because he saw Sabine (the co-founder and clown) sitting on the side with her broken leg and felt bad for her!

“حبيت أصبح في المستقبل مثلهم”
“I’d like to be like them in the future”
Wasayef Muhammad, 10 years old, Arqa camp

The tour may be over (at least for this year 😉 ), but check out some of the highlights in this short video!

We’ll also be sharing a few short videos that were done as part of the We Must Clown workshop soon, so stay tuned!

 

Healthcare Clowning International Meeting

400 clowns from 50 different countries and 150 healthcare clown organisations gathered in Vienna for the very first Healthcare Clowning International Meeting hosted by Red Noses, and Sabine was one of them!

She was invited to give a workshop passing on methods she has used in Lebanon and elsewhere when working with refugees and disadvantaged communities. She led her workshop ‘We must clown: different artistic formats to engage with refugees’ on the first day of the conference for a group of 20.

Together they had a lot fun, playing games and engaging in focused exercises but they also talked about the use of clowning in crisis zones. They listened to stories recorded from children during The Caravan projects to help to contextualise the work that we do at Clown Me In and discussed the techniques we use.

“The conference was an incredible experience, all these awesome clowns gathered together in one space in a frenzy of silliness, laughter and practical jokes all in the context of a huge learning experience. It was fantastic to hear from so many very accomplished clowns working in healthcare clowning, leading fascinating and eye opening conversations about our form of art and performance, it’s techniques and effects.” – Sabine

Upon her return Sabine exclaimed that it was definitely one of the most fun conferences she had ever been to, and honestly who can blame her? An auditorium full of 400 clowns? Who wouldn’t want to be there!

Liban Jeux 2017

Back in July I was invited to represent Lebanon as a storyteller at the 2017 Jeux de la Francophonie in Abidjan.

I used the opportunity to share stories about my experiences clowning for refugees with Clown Me In and Clowns Without Borders.

I am always grateful to be given a platform to tell these stories, they are stories that are very important to me and to many others I am sure. They ares stories of human suffering, compassion and love. They are stories that need to be shared with the world. Thank you to all the artists and athletes with whom I had the pleasure of sharing these few days with, and thank you to my fellow Clown Me In member Chantal Mailhac who translated all the stories into french.

 

We Must Clown!

يهدف مشروع “تهريج إجباري” إلى جمع إثنا عشر مؤدٍ غير محترف (فلسطينيين، سوريين، ولبنانيين) مختارين من المجتمعات المهمّشة و المتركزة في خمس ضواحٍ من لبنان (بيروت، جبل لبنان، البقاع، الجنوب والشمال).

سيمنح هؤلاء برنامج تدريبي محترف عن فن التهريج في مدينة بيروت لتمكين قدراتهم وسينتج عرض واحد يؤدى في خمس مناطق مختلفة في لبنان بمشاركة من أعضاء “Clown Me In”، كما سينتج خمس فيديوهات مدتها ثلاثين ثانية يتم تداولها عبرالانترنت.

سيتناول عرض الشارع والفيديوهات المنتجة مواضيع متعلقة بمشاكل اجتماعية معينة يتم اختيارها من قبل المشاركين أنفسهم . ذلك سيؤدي إلى إلقاء الضوء على بعض من هموم هذه المجتمعات والتحفيز على ابتكار وإنتاج أعمال مستقبلية تسعى لمعالجة هذه المشاكل  وإيجاد حلول لها.

هذا المشروع بتمويل من “صِلات: روابط من خلال الفنون” و Prince Claus Fund for Culture and Art

 

The project aims to bring together 12 non-professional clowns ( Palestinian, Syrian and Lebanese) from disadvantaged communities in the 5 districts of Lebanon, giving them professional clown training,  devising a street clown performance together with 3 clown members of Clown Me In, performing it 5 times in public spaces in Lebanon and producing five 30sec clown videos to be shared online.  

The outcome (performance and 5 videos) will tackle specific social problems chosen by the participants themselves. The performance and the 5 videos will shed light on some of these communities’ concerns in order to instigate the creation and production of future works that discuss these problems and find solutions to them.

This project is funded by “Selat: Links Through the Arts and Prince Claus Fund for Culture and Art.

CATCH – Creative Arts for Change

Through creativity we can change the situation for Syrian refugees in Lebanon

 

 


 

 

 

61 million people are right now fleeing from war, persecution and poverty. In vulnerable situations affected by violence and uncertainty, existing power and gender structures are growing stronger. In areas of Lebanon where people who have fled from Syria now live, the situation is getting more and more acute as physical, mental and sexual violence against girls and women are constantly increasing. This is why, Clowns Without Borders Sweden together with Beirut DC and Clown Me In are starting  the two-year project “Creative ArTs for CHange”.

Together, Clowns Without Borders Sweden and Clown Me In (Beirut DC) will train Syrian and Lebanese people with a background in art, culture and social work. They will be given new tools and methods to apply when leading group workshops for Syrian refugees in Lebanon. In these workshops, Syrian girls, women, boys and men, will be invited in separate groups to express themselves in a safe space, to create understanding for others and get psychosocial support through creative art forms. The project is being carried out with financial support from the Swedish development assistance via the Swedish Institute.

“We are living one of the worst and biggest crisis in the world, a project like this one would open a space for us to come together, to listen and to act. The need is big in Lebanon and around the world and we all need to act right now,” says Sabine Choucair, co-founder of Clown Me In at Beirut DC.

“Creative ArTs for CHange” starts in April 2017. The first of two 5-6 weeks’ group leadership trainings take place in August-September, and then the weekly exercises for refugees starts in October 2017.