CATCH – Creative Arts for Change

Through creativity we can change the situation for Syrian refugees in Lebanon

 

 


 

 

 

61 million people are right now fleeing from war, persecution and poverty. In vulnerable situations affected by violence and uncertainty, existing power and gender structures are growing stronger. In areas of Lebanon where people who have fled from Syria now live, the situation is getting more and more acute as physical, mental and sexual violence against girls and women are constantly increasing. This is why, Clowns Without Borders Sweden together with Beirut DC and Clown Me In are starting  the two-year project “Creative ArTs for CHange”.

Together, Clowns Without Borders Sweden and Clown Me In (Beirut DC) will train Syrian and Lebanese people with a background in art, culture and social work. They will be given new tools and methods to apply when leading group workshops for Syrian refugees in Lebanon. In these workshops, Syrian girls, women, boys and men, will be invited in separate groups to express themselves in a safe space, to create understanding for others and get psychosocial support through creative art forms. The project is being carried out with financial support from the Swedish development assistance via the Swedish Institute.

“We are living one of the worst and biggest crisis in the world, a project like this one would open a space for us to come together, to listen and to act. The need is big in Lebanon and around the world and we all need to act right now,” says Sabine Choucair, co-founder of Clown Me In at Beirut DC.

“Creative ArTs for CHange” starts in April 2017. The first of two 5-6 weeks’ group leadership trainings take place in August-September, and then the weekly exercises for refugees starts in October 2017.

 

3 questions to help you live a purposeful life

Paolo Gallo, Chief People & Culture Officer, Member of the Executive Committee, World Economic Forum Geneva has written this beautiful article to help us all to live a happy and purposeful life. Read it here.

He also did a great Ted x Lausanne talk entitled The Compass of Success where he talks a bit about the work we do:

 

Thank you Paolo for everything you do!

Please support us to continue to do our work by donating here.
We really appreciate any contribution big or small!!

 

Janana

This spring we had the pleasure of joining forces once again with Al Jana for the 5 day Janana festival in Lebanon to spread laughter and joy amongst children around the country!

We spent 5 wonderful days clowning around, doing workshops with kids, performing and taking part in the parade with all the children and the other performers.

 

We went to Beirut, Tripoli, Baalbeck, Saida and Tyre . We had a great time as usual and look at all the smiles on the kids’ faces!!

Thank you Al Jana for making this happen!!!

Trash Lebanese Politicians

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Here we are, two and half months post garbage crisis and nothing has changed. Except of course the piles of garbage that are at least 2m long now, the smell of sewage and garbage that is duplicating with every breeze and the new kinds of respiratory and skin diseases that are doing the tour of the country, visiting every house and every school. 
With my group Clown Me In, we decided to shift our clown attacks to a more specified ones about this garbage situation. We’ve joined the street movement and we posted some clown video actions on Facebook. 
We filmed them in half a day and edited them really quickly. They’re less than 1min long each and carry all the anger and absurdity of the situation – 
They are a clown reaction to an absurd situation!!!!!!
To our surprise the videos went viral and got more than 90K views. Probably because their timing and cause were both very relevant to Lebanon. 
I just uploaded them on You Tube so one can watch them in higher res than on FB
Lebanon as not seen on TV 
 كنوز لبنان – Treasures of Lebanon
بموت بلبنان – I’d die for Lebanon 

"Sleepless Nights" and the Clown (Me In)

Sleepless Nights ( documentary dir.Eliane Raheb)
Through the stories of Assaad Shaftari, a former high ranking intelligence officer in a Christian right wing militia, responsible for many casualties in the protracted civil war in Lebanon and Maryam Saiidi, the mother of Maher, a missing young communist fighter who disappeared in 1982, the film digs in the war wounds and asks if redemption and forgiveness are possible. 

One of the scenes shows bits of the process from when Assaad Shaftari was taking a Clown Me In workshop. 

Naturally, we (Gabriela Munoz and myself- Sabine Choucair) were so thrilled to have someone like Assaad Shaftari going through the workshop. Moreover, we were very happy to have been involved in such an important movie like “Sleepless Nights”.

I have been reading and hearing lots of controversial reactions toward this scene. ( mostly extreme ones)

Below some bits and pieces from different articles. Would love to hear your thoughts in case you’ve watched the movie. 
And if you haven’t yet, it is still showing in Lebanon @Metropolis Empire Sofil, Achrafieh, at 4:30 pm, 7:15pm and 10:00pm ( until the 30th of October)  
Shattuck Cinemas (Berkeley)
Oct. 26, 2013 2:30 pm 
bits and pieces: 
“في الفيلم مشهد يلعب فيه أسعد الشفتري دور المهرج، كل من يشاهد الفيلم سيصاب بنوبة محددة أثناء مشاهدته ربما ضحك وربما بكاء، وربما سترتسم على وجهه ضحكة والدموع تنهمر. مشهد المهرج يحملنا الى العلاقة الجدلية بين الأمل والمسامحة الذاتية وعلاقة الآخرين وموقفهم من الجريمة. ظهر في عيون أسعد أنه لم يسامح نفسه، يقول ابنه في أحد المشاهد ” لازم يخفف اعتذارات “. ربما هو لن يتوقف عن الاعتذار لأنه لم يعترف بكل الأخطاء بعد. ” 
In the film, Assaad Chaftari plays the role of a clown. While watching this scene you will surely feel something extreme, you might laugh or cry, and maybe smile and cry at the same time.  This clown scene leads us to the dialectical relationship between hope and selfforgiveness and the relationship with others. we could see in the eyes of Chaftari that he did not forgive himself. His son says in one of the scenes: ” he should apologize less”. Maybe Chaftari won’t stop apologizing because he did not confess all his sins yet”. 
“قالت لي سيدة صديقة بعد العرض أنها لم تجد مبرّرا لمشهد تمثيل أسعد الشفتري دورَ “المهرّج” كما لو أنه خرج عن موقعه في فيلم وثائقي. أنا كان رأيي العكس تماما. لقد بدا المشهد أحد أقوى عناصر الفيلم وأكثرِها إبداعاً. إنْ لم يكن أقواها. كان هذا المشهد، الذي أدّاه الشفتري بنجاح، التعبيرَ – الذروةَ عن المسافة الشاسعة عن نفسه التي استطاع تحقيقها. كانت قدرة مفاجئة على التهكّم على نفسه. التهريج بمعنى المعاقبة الشديدة للنفس. وبهذا كانت لحظةَ قوّةٍ للفيلم ولأسعد الشفتري لا لحظة خِفّة… غيرُ التوثيقيِّ أي المتخيَّلُ يؤكّد قوّةَ التوثيقي أي الواقعي. أكاد أجزم: يؤكّد صحة التوثيقي.” جهاد الزين- جريدة النهار


“A lady friend told me that she did not find any justification for the scene where Assaad plays the role of a clown, as if he came out of his position in a documentary film . I had the exact opposite opinion. The scene was one of the strongest and most creative parts of the film. This was the scene where Chaftari alienated from himself.  He had this great capacity of ridiculing himself. Clowning in the sense of self punishment and for that this was a moment of strength etc…” Jihad El Zein, Annahar newspaper
 
“In other places, the film appears to fragment its images for the sake of style. It veers into outright surrealism late, when Abbas is shown acting as a clown during a therapy session. The filmmakers think this is important enough to title this section of the film, “The Clown,” but I found it digressive and mannered, a quality that it transfers to the overall film itself. It tends to recast Abass’s participation in the reconciliation process as a farce, though that’s admittedly the point. These kinds of arty excrescences are an encumbrance on a film that is probably too long.” krelllabs.blogspot.com
“In one morbidly hilarious and satisfying scene Saiidi bitingly dismiss the psychobabble of a therapist blithely sweeping matters under the rug; in another, Shaftari performs as a clown in a theater exercise. These are “scenes” in the sense that Raheb is constantly searching for new twists and turns on engaging with and reconsidering the past. ” Nicolas Rapold, filmcomment.com
 “Sleepless Nights spins to an almost surreal final act, as the performative aspects of cultural “remembrance” are shown in clown shows and cheesy songs.” Robert Greene, Hammer To Nail.com
“Raheb supplements the film’s emotional palette with sparks of humor – often in the wry observations of Shaftari’s wife and son – and a peculiar moment near the end of the film when the retired assassin is shown performing during a clowning workshop, red nose and all.” Jim Quilty, The Daily Star
 
في أحد المشاهد الختامية، تتبع المخرجة الشفتري في جلسة علاجية يتحوّل فيها الى مهرّج، ونراه للمرة الاولى في وجه مختلف. ساندرا الخوري Albaladonline
 
In one of the final scenes, the director follows Chaftari to a therapy session where he becomes a clown, and for once, we see a different face of him. Sandra El Khoury, Al Balad Online newspaper